Showing posts with label editing services. Show all posts
Showing posts with label editing services. Show all posts

Two Websites: What Am I Thinking?

Monday, August 15, 2016
I have decided to have two websites--one for Margo Dill, the author and hopefully consistent blogger, and one for Editor 911, my freelance editing business. I know many of you are thinking: this woman likes to make her life difficult. She is on here constantly complaining how she never has time to write and her energy level is down, and NOW she has TWO websites?

Okay, I understand why you might be thinking that, but hear me out. For years, I have struggled with dual professional identities and one website, which I had hosted by Yahoo because I have had that website domain, margodill.com since 2000. Now it is easy and inexpensive to get domains and build websites, which I am now using Wordpress to do. So for the first time since 2000, I have created a website margoldill.com for writing/blogging and editor-911.com for editing/proofreading. They are currently under construction (yes, I am planning to write about my progress on the Muffin more than once--I hope that is a good thing). But you can check them out here (margoldill.com) and here (editor-911.com).

My word of the year is organization, and although I joke about my lack of it often, I really am making progress in several areas of my life. Just this weekend, I cleaned out a closet in my bedroom, and recently I made a much-needed trip to a financial adviser to start understanding my retirement accounts and money from several different day jobs. It is also time to get my writing life organized, and these two websites are helping me.

Now I could stress out about both of these being "under construction" and wondering when I will find the time to write posts, finish the pages, and get both of these fully functioning like the plans in my head. But for some reason, I am not stressing out about this because 1. it feels good after 16 years to finally have some clarity about how I want to run my business 2. it is fun to design these websites myself 3. it is absolutely wonderful to have been writing and editing for 16 years and STILL have a need for both websites.

Yes, I am focusing on the positive instead of the frenzy of when will I finish these beauties.

I'm wondering if you have a need for two websites or if you already have two (or more). I know writers who write under different pen names and have sites for their various genres. I also know some that write fiction and then have a professional business, so they have two also. How do you handle both? Do you spend more time on one than the other? Once they are set up, do they pretty much run themselves? Do you update and or blog?

Finally, if you don't have two but this is something you've been mulling over lately, I will tell you I used GoDaddy to purchase the domains and am managing them with Wordpress. I find GoDaddy easy to use because their chat ability on their customer service is fast and efficient; and whenever I have been confused, the person at the other end of the chat window has been able to help me. But if you have different companies you have used, let us know. I'm sure several readers would love the information.

So this is the first post of I'm not sure how many, but I will keep you updated on this two-website life I now lead.


Margo L. Dill is a writer, editor, and teacher in St. Louis, MO. To find out more about her writing, visit margoldill.com .  To find out about her editing, visit editor-911.com .  To find out about the class she teaches for WOW, visit the WOW! classroom


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A Lover of Editing?

Saturday, August 16, 2014


Photo | EKHumphrey
A friend put out a call on social media: I have so many skills—what do I do? She had lost her job and mentioned that she liked to edit and write (among other skills) and wondered if any of her friends could provide her with advice on breaking into this business.

We exchanged several emails. In one of them, she admitted she was a little rusty in the editing department having not really done any since college and she wondered how I keep fresh in editing.
For as long as I can remember, I have loved words. I’ve loved playing with words. And for several years I considered myself an editor because I could (and did) read the work of others and let them know what appeared to me to be right or wrong. But I had trouble getting paid to edit.

Then I studied what it means to be an editor. I took an editor’s boot camp and earned a certificate. As a freelance professional, editing is so much more than knowing the differences between its and it’s.
Here is some of what I described to her, in the context of her wanting to become a freelance editor:
  • Even though I thought I knew editing, getting a certificate of editing opened many doors and skills for me, especially in terms of freelance editing. I had been trying to break into editing for several years, but it was only when I earned a certificate that I knew I had the skills to be an editor. (On the job training would have helped and that is another great way to become an editor, but was unavailable to me at that time.)
  • One of the big differences between someone who likes to find typos and someone who has learned the skills to edit is electronic editing. It can make a big difference in your editing. (It can also help with your own writing drafts.)
  • How to use style guides is important to know. For example, I use The Chicago Manual of Style for my freelance work and my day job requires me to know Associated Press style.
  • Editing daily helps me stay fresh, but it is useful to have an in-person mentor. I have a colleague who will sometimes edit a document after me and I learn a lot from her edits or seek her advice.
  • For the courses I teach through UCSD Extension, we use The Copyeditor’s Handbook by Amy Einsohn, which can be used as a self-guided course with exercises and answers. Her third chapter gives you a great list of references/resources to start with on your journey to become an editor. 
I used to think that editing was just about the love of words. Now I know it is a love of editing.

I know my friend was surprised at all that I explained to her about editing. What do you want to know about editing? What surprises you about editing and editors?

Elizabeth King Humphrey writes, edits, and teaches online classes from North Carolina. She earned her editing certification from the University of Chicago, Graham School in 2011.
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Get to Know Your Editor

Sunday, December 01, 2013
If someone is pulling out the red
pen for you, get to know your
editor. Photo | EKHumphrey
I've been fortunate as an editor that I have a number of repeat clients. Authors who are writing or planning their second or third book in a series and want to hire me to edit for them. I'm flattered and thrilled when that happens. It's a win-win for everyone because it provides consistency for the writer and the editor, which can strengthen series.

I started wondering how a writer will decide to come back to the same editor. In the first go-round, the clients who I've gotten to know better than the others are the ones who return. They also appreciate or understand my editing style. I think there are at least three major ways you can get to know your editor and re-hire them:

Don't haggle over money. You just finished your book. Not a walk in the park, was it? Editing can be intense as well. Your editor will live with your manuscript longer than most of your readers. Believe, if they have the credentials, they are worth the money. I'm not saying that you should pay anything asked, but if you think the rate is too much, ask for a lighter edit, which should save you some money. If your editor has shown his/her worth and you've returned to them, consider their worth to your work.

Talk to your editor. One of my favorite clients asked to speak with me. Sure, we emailed back and forth fine, but he wanted to speak to me. We set up a time and spoke via Skype. He asked about what I liked to write and read. He got to know me better as an editor so that I wasn't just a distant email. I was a person he could trust with his writing. In fact, I think I should request more regular calls with him as I continue with his projects. Just to keep in touch and put a voice to his words.

Tell your editor what you want. A friend recommended me to a woman who wanted an editor. But she didn't want someone to mess with her story. Her story was important to her and she let me know about it. She was new to writing and it was important for me to know her comfort level. Other clients haven't taken the time to understand the different levels of editing an editor can provide. Or if an editor is different from a proofreader. Start the discussion about how you want your work to be shaped. You know how you want it done--just let the editor know about it.

Talking to the editor and understanding the editor's voice and vision can be useful in determining how to work together. At the end of the day, your name is on the manuscript, but, as your editor, I take pride in the work I've done on your manuscript. I feel like I'm a part of your team. Isn't that the kind of long-term literary relationship you want?

Elizabeth King Humphrey is a writer and editor living in North Carolina. She's just getting geared up for the holiday season and wondering about great gifts for writers...and editors.
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Interview with Don Russell, creator of DARedit software and AutomatedEditing.com

Tuesday, February 26, 2013
Don Russell is a nationally known software developer and self-confessed “geek.” During a conversation with a friend regarding the cost of editing Don’s cerebral light bulb lit up and it’s been flashing ever since.

Don impressed us with his website, AutomatedEditing.com, which we reviewed in May of 2011. After many improvements, Don launched version 4.0 of the site and it is absolutely a joy to use. We really began to wonder, though, “Just what drives this man to constantly tinker with this editing website?” So, of course, we decided to ask!

WOW: Hello Don, welcome back to The Muffin! Automated Editing is constantly evolving—this must be time consuming. What drives you to constantly improve the website?

Don: Because it will never be “finished.” The problem with the English language is, well, the English language. It is amazingly complex, and totally inconsistent. It keeps evolving, and changing. So trying to write algorithms that can look at something so “squishy,” and still give valuable, valid advice is worse than herding cats. It never ends. Robyn, you once reminded me that Oscar Wilde spent a day inserting and deleting the same comma. Only a writer or an editor (or a senile algorithm creator) could see the wry, painful humor in that event.

Let me use the simple example of a period. We all know periods end sentences. Ah, I wish it were that simple. What if they are the end of an abbreviation, or part of a number, currency, or part of an ellipse? What if there is a following parenthesis or quotation? Are they part of an internet address? One of the most difficult things for our software is something that probably sounds easy—determining where a sentence was meant to end.

And what about certain words? “Friend” is a noun, right? Wrong! It can be a verb today (I just friended you on . . .”) or even, in very tortured English, an adjective (My friended neighbor is the one who . . .” And it could also be a typo/misspelling of “fiend,” or a common salutation. Ugh.

The bottom line is that every time I run a new test document through the software, I find something new—an exception I never thought of, or an outright error. Unlike a pro editor, around 20% of the time our software gets it totally wrong. That will never change, even as we improve and add to the software, because English is so squishy. (Just visit the forums at the CMS to see brilliant editors and writers arguing over how something should be done!) The only solution is to strap on the keyboard, brew a large pot of coffee, and get back to work.

WOW: How has usage of the software compared to what you expected when you started the project two years ago?

Don: I was not even close on predicting why members most enjoyed the site. When I started this project, my goal was to help fellow starting authors and I thought the main (perhaps only) use would be by authors who could not yet afford to invest in a great pro editor, and needed a low-cost way to get to the point where investing thousands in pro editing would be a great decision. They could catch most of their major errors and style issues, and get their writing to the next level to prepare for contests, first submissions, etc. Soon they would get to the point where a pro editor would be a logical next investment in their writing.

Yet today, with 20-20 hindsight, I discovered that there was another usage that has proven to be much more important to many users. The number one use is by authors who want a 24/7, easy-going English tutor to help rapidly improve their writing and style. The best example I can give is an author who told me “People keep telling me I have a run-on sentence problem. How can I change that?” Well, all she needed was a few passes with the software where all her run-on sentences were flagged, along with suggestions for improvement, before she made huge improvements in that part of her writing.

That’s the benefit of the instant feedback from the software. It takes only a few times being flagged for a dialog error before you tend to stop making that particular dialog error in new writing. Misuse “which” and “that”—and the software points it out for you, so you easily learn the proper usage. Your writing gets better and better!

So my original goal turned out to be the number two reason. Oh, and the number three reason never dawned on me back when I started—business people checking reports and emails before sending out a potentially “embarrassing” mistake!

WOW: I confess; I’ve used the software to improve my writing as well! About your software, how do algorithms help us edit our writing?

Don: In a word—instant feedback! (Or maybe that’s two words!)

I cannot overstate how exciting it is when I get emails from members who find that their grammar, and therefore their writing, improves week after week as they use the software. People forget that the reason we want good grammar and punctuation is not to please the editors and publishers—but to make sure the reader gets our message! Good editing makes your intent clear to the reader. I think those who have the creativity to write are also, almost by definition, good learners. The software instantly points out problem areas, explains why, and offers suggestions. Their writing gets clearer and more powerful as the grammar becomes easier.

One other insightful comment I received was a bit of a surprise, but made a great deal of sense the more I thought about it. “The computer doesn’t judge or threaten. It just offers ideas late at night when I am looking at what I wrote. I can deal with that. It’s a lot easier than having my boyfriend point out every mistake he thinks I made.”

I get encouragement every week from members of our site who find that the instant feedback on their writing continually improves them, and make them better writers. The stories start to jump out from the words. After all, it only takes a few times when the software points clauses that are confusing before they stop making that mistake!

WOW: This has been quite a journey for you. What have you learned about yourself or others along the way?

Don: I am sad to say that one thing I have learned was a real surprise to me, and was very discouraging. In short, I find that more and more writers see very little value in proper grammar and punctuation, and their writing suffers as a result. I see this every day in e-books, blogs, and even major websites. They seem to believe that “. . . people should only look at the idea, not the grammar.”

Sadly, it is not as simple as that.

I think they miss the point about why editing is important. It is not just to live up to some silly rules set by ancient librarians somewhere! It is that the sole purpose of editing is to make sure your message and story are clear to the reader. Bad grammar or punctuation (unless you are Ferlinghetti!) destroys even great writing when it loses the reader.

The best examples of this are run-on sentences and passive voice. Neither of these is automatically “bad grammar.” Often they are excellent and powerful ways to convey and image or story. But more often than not, run-on sentences are so messy that they lose the reader completely. And passive voice often runs the danger of making the object of the sentence unclear. Beyond these two examples, I would guess that a large portion of those who purchase books (I personally would guess more than two-thirds) find bad grammar to be so distracting that it would significantly detract from their enjoyment of the work.

And all that goes double for contest judges and publishing acquisition evaluators!

The good news is that the best writers (in terms of creativity and stories) consistently have better grammar and punctuation. There seems to be a relationship between creative writing, and good grammar. The best writers create an idea, and then precisely use the English language to get it across. That is what hooks the reader. You somehow stop looking at the words, and start to enter the author’s vision. Neat!

WOW: You obviously love language as much as you love those algorithms! Thank you for visiting with us today, Don. We appreciate all the time you put in to help us polish our work. I'm sure writers will want to check out the new and improved AutomatedEditing.com.

Interview by Robyn Chausse
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So, You Want Someone to Edit Your Work?

Sunday, August 21, 2011

Choose your editor--and your editing "weapon"--carefully.

So, you want someone to edit your fiction? Do you really?

For most writers submitting their work to a publisher or agent, having several people to read over their manuscript seems enough. Besides, they are over the red marks bleeding over the manuscript pages. Their book is in good shape now. After all, they've spent years crafting your manuscript with care. They've workshopped it and re-written the awkward bits and pieces.

Workshops and having friends read your work is great. Often other writers and your readers and friends will find that you've changed the spelling of Margo to Margot halfway through the book. They can look at the big picture and let you know that you killed off the antagonist in the fourth chapter...and, uh, again, in the seventh chapter.

Sometimes, however, they won't or can't.

Frequently a friend can read something and mark a problematic area with a question mark, but is unable to explain why the section seems wrong.

Those may be enough of a reason to hire a manuscript editor or an editing service, but there are others as well.

You may have read of the importance for your manuscript to be styled properly. A manuscript editor working with a fiction or nonfiction work should be familiar with and know how to edit using The Chicago Manual of Style, which is a publishing industry standard.

Whenever I mention style, writers often get nervous. As a writer, I understand that. I like my own writing style. However, the style guides are created to impose a uniformity and consistency to manuscripts, not kill the writer's voice. Which numbers are written out? Which ones aren't? The style manuals are not to squash a writer's unique style, but to make sure a reader is not distracted by inconsistent styles that bring a reader out of the web of intrigue the writer has created.

Once I was hired to clean up a manuscript just for styling and grammar errors--including the persnickety two spaces after a period. The writer's friends had read her manuscript, she assured me, and they all thought it was fine. But as I read along, there were conflicts throughout the story regarding the point of view. Even though it wasn't what I was hired to work with, I noted each instance of these jarring shifts that had brought me out of the narrative.

Now, true, you'll also encounter an editor who doesn't catch every grammatical error and may leave a number or two inconsistent. That happens. And you'll run across editors who differ in opinions moving a word here or --> there. But an editor works to make your prose better. She's not your high school English teacher who left you nervous each time you turned in a paper. Working with an editor is a collaborative relationship; she wants your work to look good so you can go forth and publish, sharing your unique voice and story with the world.

Have you ever hired an editor for your work? Would you do so again? Why or why not?

Elizabeth King Humphrey is a writer and editor living in Wilmington, NC. Her piece "Running on Heart" is in the September 2011 issue of
The Writer.
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In Review: DARedit Editing Software from AutomatedEditing.com

Thursday, May 12, 2011
I love to write. Taking in the information from the world around me and transmuting it into what I hope is a cohesive structure that others can understand and relate to gives me a sense of purpose and connection. Once I feel that I am close to being finished though my enthusiasm takes a dive—it’s editing time. All the time spent reading and rereading the same document hoping I don’t miss a mistake and knowing that I probably will—it’s such a grind! If the editing process lands you slumped in despair banging your head with your mouse you need to check out AutomatedEditing.com.

After listening to an author’s frustrated ranting about the time and expense of editing a new book, Don Russell, a nationally known software developer, took up the call. Combining his talents with those of an author and a teacher Don created an ingenious, user-friendly site where writers and editors can cut their editing time by hours or even days!

I had the opportunity to try the Standard version of Don's software which allows up to 10,000 characters per document. It worked great! DARedit caught punctuation, grammar and even style issues (like low numbers being spelled out). I'm impressed. Below, I share with you how to use the software and what I've found along the way.

How It Works:

The magic lies in linguistic algorithms that evaluate sentences for what might be wrong. Simply paste a copy of your already spell-checked manuscript into the window provided. The DARedit Manuscript Editing System then matches the text against an already substantial and constantly expanding bank of knowledge and offers back an analysis.

Anything that says "cut and paste" sounds like something even I can handle, so I gave it a whirl. I fed it emails, .pdfs, text from Blogger, and Word .docs complete with embedded links and highlighting. Here is what the readout looks like:


The summary states character count, word count, sentence count and how many errors were found.


The detailed report shows errors in punctuation, improper word usage, participial phrasing, clauses of reason and more. Hard Errors are those known as problems 80% of the time; Flags are suspected errors that need a discriminating eye. Copy the analysis and save it in your own file. Knowing which areas to review and which ones are clean frees up time to devote to those processes of editing requiring human evaluation such as Point of View. Read more information on DARedit’s capabilities at the end of this page.



What I Found:

DARedit will analyze the body of the text in emails but doesn’t like the email addresses, everything else went through just fine.

There is a slight discrepancy (less than 2%) in word count statistics between DARedit and Microsoft Word, but then, I can get two different readings in Word depending on if I use the Tools or the Spell-check function.

DARedit is based on CMS (Chicago Manual of Style), I had the opportunity to compare a DARedit analysis with a professionally edited version of the same document (the ultimate test).

I found that the professionally edited version was stricter on comma usage. DARedit assists with the editing process; it does not entirely eliminate the need for professional editing. However, it did catch a few things that the human editor missed! For instance, punctuation outside of quotation marks and quotation marks missing when the quote spanned two paragraphs. It also gave hints about passive voice, suggested I change "felt like" to "felt as if" and reminded me that when using "which" there is a comma but when using "that" there is not.

Try It Now for FREE:

Go ahead…try it! Open up any file and copy the document (up to 2000 characters). Click here. Paste the document into the window and click GO. You will receive a summary without the error detail.

Note: Manuscript must be in Microsoft Word or compatible format, written in English and spellchecked. At the present time DARedit can not accept documents from screenplay programs or web design programs and can not guarantee results for advanced technical terminology. Click for more information.

The Benefit:

The true benefit of using the DARedit system is the time saved in locating errors. Although the detailed report will lend hints as to what the errors may be it will not tell you how to fix them. Think of it as an expert pair of eyes combing through the text marking all the places that need attention. Although some of us may need to keep that stack of reference books on our desk, with AutomatedEditing.com we have a better chance of producing a clean manuscript. No more grind!

Costs: As mentioned above, you can try it out for free, but the paid version includes all the features. Prices start at $25 a month for membership, which includes a 2,000 character limit (roughly a 6-page document) per day. You can find all of their service pricing here. I suggest their one month trial.

Coming Soon: DARedit is constantly upgrading services. Soon to come:

- Checkboxes to customize your readout
- Verb tense editing

Members remain informed about update news via a window on their screen.

Other services: In addition to software-assisted editing DARedit offers complete editing services and author evaluations.

-----

I hope you'll find the DARedit software as helpful as I did. Try it for flash fiction, short stories, and novels, or nonfiction articles, blog posts, and emails. It will help polish your work before you hit the send button. Enjoy!

By Robyn Chausse

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The Word Queen: Editing, Teaching, Coaching, and Publishing

Thursday, September 23, 2010
The Word Queen is better known as Keidi Keating, who lives in the Malaga province of Spain. She moved there from London in 2004 and has enjoyed life in the sun ever since.

Keidi trained as a journalist in 1999. After a stint as a local newspaper reporter in the UK, Keidi stepped up the career ladder and became a corporate communications writer for a range of high-profile companies/associations, such as Powergen, Visa, The Dixons Group, McVities and Defra (The Department of the Environment, Food and Rural Affairs).

Six years later, she moved to Spain and started The Sentinella, a magazine aimed at the expat population. The magazine tripled in pagination within just two years, so Keidi launched a business opportunity to help people start their own magazines across the globe.

Keidi’s first book, Sol Searching, A Fun Filled Tale of a Modern Girl’s Move to the Costa del Sol, was published in October 2009. Critics have compared it to Bridget Jones’s Diary. She is now completing her second book, The Path, which is a fiction fantasy with a paranormal twist aimed at young adults.

Keidi set up The Word Queen in 2009 to help fellow writers fulfill their dreams of getting their books written and published. She enjoys her role with a passion and receives a huge amount of positive feedback from her clients.

WOW: Keidi, it is so great to have you with us today. Congratulations on all your writing and editing success. Tell us more about your business, The Word Queen. What manuscript editing services do you offer as The Word Queen?

Keidi: I offer writers an edit of their manuscript, which involves amending grammatical errors and restructuring sentences. The other option is an edit and a full critique, in which I delve deeper into the manuscript to evaluate aspects such as theme, plot, characterization, sense of place, dialogue and all the ingredients of a book, which can transform it into a bestseller.

WOW: How much do you charge for these services?

Keidi: For editing, I charge $200 per 20,000 words. For an edit and critique, I charge $250 per 20,000 words. My payment terms are half up-front and the rest on completion.

WOW: In your opinion, why is it a good idea for a writer to use a professional to edit and critique her work?

Keidi: As writers, we tend to become very attached to our work. It’s not uncommon to procrastinate editing, as we feel a deep sense of unwillingness to delete the words, phrases, metaphors and dialogues to which we have grown to love, even though they may not serve the novel. A professional editor knows exactly what publishers and agents want to see and can mold the story into a desirable shape.

WOW: You are right--it is so hard to edit and critique our own work! What are three or four common mistakes you see in authors' manuscripts?

Keidi: 1. The ‘point of view’ rule. Writers tend to flit between points of view throughout a scene, which leaves the reader feeling confused.

2. Writers use passive rather than active vocabulary, which fails to reach the point quickly and as such slows the reader. Generally speaking, the word ‘was’ should be avoided whenever possible, as should the words ‘to be’.

3. Limited or poor use of the ‘show don’t tell’ rule. Many novice writers tend to include too much narrative and not enough revealing action.

4. All dialogue, no matter what character is speaking, has the same ‘voice’, with very little differentiation.

WOW: Thanks for those tips. I am thinking about my own manuscript right now. . .You also provide book publishing services. Can you tell us a little about this?

Keidi: Certainly! If authors have written a book, which raises the vibration of the world in some way – either fiction or nonfiction–they’re welcome to submit the first three chapters and a synopsis to my publishing company, Pathway, by emailing info@thewordqueen (dot) com. [Replace the word "dot" with "."]

Other writers, who may prefer to self publish, can take advantage of my publishing services, whereby I sort out everything on their behalf for a set fee. I currently offer three different publishing packages, each containing different benefits: the Ruby package, the Emerald package and the Diamond package.

My basic package costs just $900, and it includes 20 books in with the price.

WOW: You are one busy lady! On your website, The Word Queen, you list several coaching and online class opportunities for writers. What do you offer as a writing coach?

Keidi: As a writing coach, I coach and mentor writers through the entire process of getting their books written and published, from the initial idea right through to having the finished book in their hands!

It’s a fairly unique service because along with elements of traditional coaching and mentoring, it involves energy clearances on a psychic level to release negative thoughts you may have about writing, success in general, and your book.

WOW: Sounds interesting and unique! What do you offer as a writing teacher?

Keidi: Right now, my writing workshops mainly take place in Spain where I am based. However, I have also developed a 26-week online writing course called, "The Write Your Book Now Masterclass." This is a great alternative to attending my physical classes, as it includes exercises and even weekly homework to complete! See www.writeyourbookmasterclass.com for more info.


WOW: I'm sure several readers will check that out. Many writers need some inspiration to actually sit down and write that book! Do you offer any other services to writers?

Keidi: Yes, I also offer various marketing options to self published authors, who may be struggling to meet their sales targets.

"My Book & A Business Plan" helps authors to achieve a great monthly passive income via the Internet, and my "Book Marketing Plans" for self published authors boost sales figures.

WOW: If anyone is interested in any of your services we've talked about today, where can they find out more information and/or contact you?

Keidi: They can visit my website www.thewordqueen.com, e-mail me at info@thewordqueen.com or call me at (0034) 952 968 096. Alternatively, my skype ID is keidik1.

WOW: Thank you, Keidi, for sharing with us today everything you have to offer writers from before publishing to after publishing. Writers, if you are in need of services, check out everything the Word Queen has to offer!

interview by Margo L. Dill, http://margodill.com/blog/
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A Holiday Treat from Robin Garland Consulting

Monday, November 12, 2007



Thinking of what to buy yourself this holiday season? Why not invest
in yourself, your writing and creativity. Robin is offering a 20
percent discount this holiday season on editing services and creative
ideas for manuscripts 20,000 words or less.

Other items offered are: layout for e-booklets and editing/story analysis for screenplays. Contact: garland.robin@gmail.com for more information.
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